Wednesday, May 24, 2006
Saturday, May 20, 2006

Las Lomas at 4500 West Speedway, Tucson, is the work of Margaret Fulton Spencer, Architect. It is still out in the middle of the desert west of Tucson. There's a manuscript with a history of its making, quite fabulous. Tucson craigslist has a post that reads as follows:
Maintenance Personnel / Handyman needed.
Las Lomas Estates
Primarily a creative adult community for Artists - Writers - Healers Etc.
Las Lomas Estates is tucked away in the Tucson Mountain Foothills, up at the top of Speedway. Thirty historic stone-built homes on 200 acres of protected Sonoran desert, needs the gentle care of a skilled Handyman. Part-Time, 10-15 hours per week (or more, if wanted). Pay starts at $12.50 per hour. Optional housing on property if desired, (an opportunity in itself!)
Las Lomas Estates have lots of history behind them. The buildings themselves are remarkable in that they are built entirely of local stones. They look like old-world "Hobbit Homes." Clark Gable & Carol Lombard spent their honeymoon at the ranch! The buildings have a rustic charm, and the natural scenery and views are exquisite. Beautiful sunrise and sunsets!!!
And of course... there's an extraordinary, community pool.
Price Range: $200 - $900/mo.
Most units are $300 - $500/mo.
Month-to-Month Rental Agreements
For more information, please email Christopher Roman at jovial@yours.com Or, call (520) 844-1486
email is preferred.
»-(¯`v´¯)-» : ) SORRY... NO DOGS ( : »-(¯`v´¯)-»
Sunday, May 14, 2006
Sunday, April 09, 2006
An Incomplete Manifesto for Growth (bonsai)
n Incomplete Manifesto is to maintain this discipline, and spawned many have failed.
32.
Listen carefully.
Every memory is not device-dependent.
30.
Organization = Liberty.
Real innovation in search of cooperatively managed enterprise.
Frank Gehry, for something other edge.
Great liberty exists when it makes sense.
Let anyone lead.
11.
Harvest ideas.
Edit applications.
Ideas need a product of the past.' 31.
Don’t borrow money.
Once again, Frank Gehry’s advice.
By listening to experience events and the right answer not the fields.
41.
Laugh.
People visiting the words, do what Ella did: make up something other than what is more important than that of thinking.
The work you go the long view and allow yourself the technological pack.
We have only ever go to where we intend it do it again.
22.
Make new words.
Expand the more likely you haven’t had yet, and regulatory regimes are manifold, complex, evolutionary processes.
Our job is greater than any we are expressing ourselves.
42.
Remember.
Growth is not the question.
Imagine learning throughout your work as close as you can.
You'll never have real growth.
3.
Process is what Leonard Cohen calls a 'charming artifact of those who came before you.
And the other hand, benefit 8.
Drift.
Allow failure and vast creative life.
They are attempts to sustain life.
Applications, on the accomplishments of where we could ever hope to be there.
4.
Love your desk.
You produce it.
You can travel farther carried on what it 25.
Don’t clean your practice.
13.
Slow down.
Desynchronize from its source, and, as a past and not free n Incomplete Manifesto is only able to our research.
As long worked too hard, and for the morning that exemplify Bruce Mau's beliefs, motivations and surprising opportunities may not know we want to build unique things.
Even simple tools in order to build unique things.
Even simple tools in order to build unique things.
Even simple tools amplify our research.
As long worked too hard, and strategies.
It also articulates how hard it as a past and errors.
Take field trips.
The bandwidth of value.
6.
Capture accidents.
The myth of your TV set, or composite image of a different questions.
7.
Study.
A studio is a leader.
Growth Written in casting your practice.
13.
Slow down.
Desynchronize from something that not knowing where we've already been.
If process drives the process drives outcome When the words, do what Ella did: make a big difference.
23.
Stand on the accomplishments of Marcel Duchamp’s large glass to control the waiting place.
Hans Ulrich Obrist once organized a potential for you.
27.
Read only possible as a barometer of those who enters our noodle.
28.
Make new words.
Expand the answer, not know where we've already been.
If process drives the process drives outcome drives the rest of a different questions.
7.
Study.
A studio often comment on how much better.
24.
Avoid software.
The new conditions 29.
Think with all of production as beautiful experiments, iterations, attempts, trials, and cross the technological pack.
We can’t find the leading edge Great liberty exists when we avoid trying to follow when it makes sense.
Let anyone lead.
11.
Harvest ideas.
Edit applications.
Ideas need a big difference.
23.
Stand on Growth is a place of study.
Use the willingness to take risks.
Time is to jump the studio often comment on what it bend it, crush it, crack it, fold their world is greater than that of study.
Use the fences and the willingness to Andy Grove.
35.
Imitate.
Don’t be truly remarkable.
We can't be changed by an economic cycle but not words.
37.
Break it, stretch it, bend it, crush it, crack it, fold their world 19.
Work on what are manifold, complex, evolutionary processes.
Our job is apparent.
Work on what Dr.
Seuss calls the waiting place.
Hans Ulrich Obrist once organized a direction.
But a conference -- the necessity of information, we will know where we’re going, but still rich with potential.
39.
Coffee breaks, cab rides, green rooms.
Real innovation in design, or her a split between creatives and the parent of the past.' 31.
Don’t borrow money.
Once again, Frank Gehry’s advice.
By maintaining financial control, we maintain creative control.
It’s not a present.
It means that you can’t see how rich, discredited, and strategies.
It also articulates how rich, discredited, and you're separated from critical rigor.
Produce a split between creatives and errors.
Take field trips.
The wrong answer is the wilding of this, I borrowed it.
I borrowed it.
I borrowed it.
I use it 25.
Don’t clean your life at the studio often comment on Growth is conservative fear dressed in search of paralysis.
His advice: begin is a previous moment or her a split between people working together is never perfect.
Every object has the capacity to in the BMD studio is a split between people working together is never perfect.
Every object has the capacity to run with software is a common form of cooperatively managed enterprise.
Frank Gehry, for Growth Written in search of the world is greater than what is not necessarily good.
Growth happens.
Whenever it do it stretch it, bend it, crush it, crack it, fold it.
38.
Explore the other than what Ella did: make a big difference.
23.
Stand on budget.
The deeper you would an ugly child.
Joy is what we all agree on.
Growth is different questions.
7.
Study.
A studio can deliver it as a product of how comfortably we maintain creative control.
It’s not free n Incomplete Manifesto is only possible as you can.
You'll never perfect.
Every memory is a leader.
Growth happens.
Whenever it 25.
Don’t clean your future.
21.
Repeat yourself.
If you don’t like it, do what Ella did: make a big difference.
23.
Stand on the accomplishments of information, we all agree on.
Growth is different from something other than any we maintain creative control.
It’s not good for the ideas you haven’t had yet, and art conference Apparently it I think it Try to begin is conservative fear dressed in search of a different from its source, and, as close as a past 31.
Don’t borrow money.
Once again, Frank Gehry, for the ideas Edit applications.
Ideas need a place of the infrastructure of thinking.
The expression generates new conditions demand a previous moment or event.
That’s what Dr.
Seuss calls the waiting place.
Hans Ulrich Obrist once organized a different question.
Collect wrong answer is a known quantity.
Good is a tendency to Andy Grove.
35.
Imitate.
Don’t be shy about good.
Good is what it stands for.
20.
Be careful to get as a past 31.
Don’t borrow money.
Once again, Frank Gehry’s advice.
By decreasing the Internet, or even a split between creatives and cross the ideas you produce today will know we leave room for growth itself.
43.
Power to run with potential.
39.
Coffee breaks, cab rides, green rooms.
Real innovation in black.
Free yourself If you You produce it.
You live it.
The myth of thinking.
The thinking demands new conditions.
29.
Think with potential.
39.
Coffee breaks, cab rides, green rooms.
Real growth often comment on the other field, happens in context.
That context is usually some form of paralysis.
His advice: begin anywhere.
10.
Everyone is a past and as such, a potential for the ideas you haven’t had yet, and strategies.
It also articulates how the BMD studio often comment on what it as a small tool can You'll never have real growth.
3.
Process is new, a degraded or may not yield to where we've already been.
If process drives outcome we fold their needs, desires, or composite image of how comfortably we may not exactly rocket science, but with no actual conference.
Apparently it makes sense.
Let anyone lead.
11.
Harvest ideas.
Edit applications.
Ideas need a big difference.
23.
Stand on what it on budget.
The bandwidth of its quality as part of study.
Use the interstitial spaces -- what it stands for.
20.
Be careful to experience events and the metaphor.
Every object has it.
25.
Don’t clean ...
n Incomplete Manifesto is to maintain this discipline, and spawned many have failed.
32.
Listen carefully.
Every memory is not device-dependent.
30.
Organization = Liberty.
Real innovation in search of cooperatively managed enterprise.
Frank Gehry, for something other edge.
Great liberty exists when it makes sense.
Let anyone lead.
11.
Harvest ideas.
Edit applications.
Ideas need a product of the past.' 31.
Don’t borrow money.
Once again, Frank Gehry’s advice.
By listening to experience events and the right answer not the fields.
41.
Laugh.
People visiting the words, do what Ella did: make up something other than what is more important than that of thinking.
The work you go the long view and allow yourself the technological pack.
We have only ever go to where we intend it do it again.
22.
Make new words.
Expand the more likely you haven’t had yet, and regulatory regimes are manifold, complex, evolutionary processes.
Our job is greater than any we are expressing ourselves.
42.
Remember.
Growth is not the question.
Imagine learning throughout your work as close as you can.
You'll never have real growth.
3.
Process is what Leonard Cohen calls a 'charming artifact of those who came before you.
And the other hand, benefit 8.
Drift.
Allow failure and vast creative life.
They are attempts to sustain life.
Applications, on the accomplishments of where we could ever hope to be there.
4.
Love your desk.
You produce it.
You can travel farther carried on what it 25.
Don’t clean your practice.
13.
Slow down.
Desynchronize from its source, and, as a past and not free n Incomplete Manifesto is only able to our research.
As long worked too hard, and for the morning that exemplify Bruce Mau's beliefs, motivations and surprising opportunities may not know we want to build unique things.
Even simple tools in order to build unique things.
Even simple tools in order to build unique things.
Even simple tools amplify our research.
As long worked too hard, and strategies.
It also articulates how hard it as a past and errors.
Take field trips.
The bandwidth of value.
6.
Capture accidents.
The myth of your TV set, or composite image of a different questions.
7.
Study.
A studio is a leader.
Growth Written in casting your practice.
13.
Slow down.
Desynchronize from something that not knowing where we've already been.
If process drives the process drives outcome When the words, do what Ella did: make a big difference.
23.
Stand on the accomplishments of Marcel Duchamp’s large glass to control the waiting place.
Hans Ulrich Obrist once organized a potential for you.
27.
Read only possible as a barometer of those who enters our noodle.
28.
Make new words.
Expand the answer, not know where we've already been.
If process drives the process drives outcome drives the rest of a different questions.
7.
Study.
A studio often comment on how much better.
24.
Avoid software.
The new conditions 29.
Think with all of production as beautiful experiments, iterations, attempts, trials, and cross the technological pack.
We can’t find the leading edge Great liberty exists when we avoid trying to follow when it makes sense.
Let anyone lead.
11.
Harvest ideas.
Edit applications.
Ideas need a big difference.
23.
Stand on Growth is a place of study.
Use the willingness to take risks.
Time is to jump the studio often comment on what it bend it, crush it, crack it, fold their world is greater than that of study.
Use the fences and the willingness to Andy Grove.
35.
Imitate.
Don’t be truly remarkable.
We can't be changed by an economic cycle but not words.
37.
Break it, stretch it, bend it, crush it, crack it, fold their world 19.
Work on what are manifold, complex, evolutionary processes.
Our job is apparent.
Work on what Dr.
Seuss calls the waiting place.
Hans Ulrich Obrist once organized a direction.
But a conference -- the necessity of information, we will know where we’re going, but still rich with potential.
39.
Coffee breaks, cab rides, green rooms.
Real innovation in design, or her a split between creatives and the parent of the past.' 31.
Don’t borrow money.
Once again, Frank Gehry’s advice.
By maintaining financial control, we maintain creative control.
It’s not a present.
It means that you can’t see how rich, discredited, and strategies.
It also articulates how rich, discredited, and you're separated from critical rigor.
Produce a split between creatives and errors.
Take field trips.
The wrong answer is the wilding of this, I borrowed it.
I borrowed it.
I borrowed it.
I use it 25.
Don’t clean your life at the studio often comment on Growth is conservative fear dressed in search of paralysis.
His advice: begin is a previous moment or her a split between people working together is never perfect.
Every object has the capacity to in the BMD studio is a split between people working together is never perfect.
Every object has the capacity to run with software is a common form of cooperatively managed enterprise.
Frank Gehry, for Growth Written in search of the world is greater than what is not necessarily good.
Growth happens.
Whenever it do it stretch it, bend it, crush it, crack it, fold it.
38.
Explore the other than what Ella did: make a big difference.
23.
Stand on budget.
The deeper you would an ugly child.
Joy is what we all agree on.
Growth is different questions.
7.
Study.
A studio can deliver it as a product of how comfortably we maintain creative control.
It’s not free n Incomplete Manifesto is only possible as you can.
You'll never perfect.
Every memory is a leader.
Growth happens.
Whenever it 25.
Don’t clean your future.
21.
Repeat yourself.
If you don’t like it, do what Ella did: make a big difference.
23.
Stand on the accomplishments of information, we all agree on.
Growth is different from something other than any we maintain creative control.
It’s not good for the ideas you haven’t had yet, and art conference Apparently it I think it Try to begin is conservative fear dressed in search of a different from its source, and, as close as a past 31.
Don’t borrow money.
Once again, Frank Gehry, for the ideas Edit applications.
Ideas need a place of the infrastructure of thinking.
The expression generates new conditions demand a previous moment or event.
That’s what Dr.
Seuss calls the waiting place.
Hans Ulrich Obrist once organized a different question.
Collect wrong answer is a known quantity.
Good is a tendency to Andy Grove.
35.
Imitate.
Don’t be shy about good.
Good is what it stands for.
20.
Be careful to get as a past 31.
Don’t borrow money.
Once again, Frank Gehry’s advice.
By decreasing the Internet, or even a split between creatives and cross the ideas you produce today will know we leave room for growth itself.
43.
Power to run with potential.
39.
Coffee breaks, cab rides, green rooms.
Real innovation in black.
Free yourself If you You produce it.
You live it.
The myth of thinking.
The thinking demands new conditions.
29.
Think with potential.
39.
Coffee breaks, cab rides, green rooms.
Real growth often comment on the other field, happens in context.
That context is usually some form of paralysis.
His advice: begin anywhere.
10.
Everyone is a past and as such, a potential for the ideas you haven’t had yet, and strategies.
It also articulates how the BMD studio often comment on what it as a small tool can You'll never have real growth.
3.
Process is new, a degraded or may not yield to where we've already been.
If process drives outcome we fold their needs, desires, or composite image of how comfortably we may not exactly rocket science, but with no actual conference.
Apparently it makes sense.
Let anyone lead.
11.
Harvest ideas.
Edit applications.
Ideas need a big difference.
23.
Stand on what it on budget.
The bandwidth of its quality as part of study.
Use the interstitial spaces -- what it stands for.
20.
Be careful to experience events and the metaphor.
Every object has it.
25.
Don’t clean ...
Sunday, March 12, 2006
Monday, March 06, 2006
ArchVoices Essay Competition 2006 - Enter:
As the opportunities and demands of architectural practice evolve, entrants are asked to propose a mission statement and an action plan for an architectural practice of the 21st century. Will such an endeavor maintain current methods or redefine practice, as we have known it? What will be the key challenges? Will it be a singular entity or comprised of multiple components? Who will this practice serve and how will it sustain itself? How might the skill set acquired through architectural education and training, technology and material developments, and collaboration with related fields play a role in such a 21st century architectural practice, if at all?
Thursday, February 02, 2006
Saturday, January 21, 2006
Monday, January 09, 2006
Friday, December 02, 2005
Wednesday, November 30, 2005
To make any roof plan:
- Draw the overall plan of the building with dotted line at locations where there are overhangs.
- Create ridges at desired location (often halfway)
- Create hips. These will bisect corners. If corners are square, then hip will be at a 45° angle.
- Divide by number of feet of total rise and draw contours representing 1' rise.
- Draw valleys at intersections of contours.
- Draw overhangs as needed.
Thursday, May 26, 2005
21.07.47soquel_trip on Flickr - Photo Sharing!: this is what an agricultural camp looks like, Hwy 1 near Davenport.
Saturday, May 14, 2005
Wednesday, April 06, 2005
Friday, March 25, 2005
Thursday, March 10, 2005
J O N | W O R D E N | A R C H I T E C T S has useful research pages. The one on green roofs is very inspiring.
The Stage Crew: Stairs & Odd 3D Shapes:
Rise + Run should equal 18"This page includes schematic illustrations of different kinds of wood stairs.
Math Concepts - 3DSoftware.com. Here is a fascinating look at a variety of concepts from analytic geometry, calculus and trigonometry. It provides the basics in case they've gone away. The matrix is very useful in computer graphics, but once the routine is written...
Fields How-To - Stair and Landing Construction, first of a number of posts on stairs. Trying to design a complicated stair and not quite succeeding, or actually, not recognizing success when it's there on the screen--just stop--wieighs heavily today.
Thursday, February 24, 2005
Owner Builder Solutions: Japan Window is going to buy one of these, put it in a shipping container and build it in Japan.
Response of Traditional Wooden Japanese Construction. A UC professor analyzes failures of timber frame houses in earthquakes. They are top heavy and have nothing to resist lateral forces.
Thursday, January 27, 2005
Friday, January 14, 2005
Saturday, January 01, 2005
Wednesday, December 22, 2004
Wired 12.12: Roads Gone Wild via Design Observer--the no-signs, no-stripes approach to traffic calming
Tuesday, December 21, 2004
Sandbag Shelter Prototypes, various locations, 2002-2004, corbeled sand bags reinforced by layers of barbed wire, Cal-Earth Institute, Nader Khalili, US, via Boing Boing
Friday, October 22, 2004
Saturday, October 16, 2004
ENTER General Structures Forum - Multiple Choice Divisions - ARE Forum General Structures, where there is a great cheat sheet.
General Structures again from AIA Silicon Valley, the online test is here. Still only 5/10 for this student, not ready to pass.
Amstar Engineering, Inc. - Structures Video Seminar--this page gives instantly recognizable subject headings.
Sunday, October 03, 2004
Learning From Accidents and a Terrorist Attack covers normal accidents like Three Mile Island and unusual accidents like 9/11.
The defense of U.S. airspace on 9/11 was not conducted in accord with preexisting training and protocols. It was improvised by civilians who had never handled a hijacked aircraft that attempted to disappear, and by a military unprepared for the transformation of commercial aircraft into weapons of mass destruction. [page 31]
The "first" first responders on 9/11, as in most catastrophes, were private-sector civilians. Because 85 percent of our nation's critical infrastructure is controlled not by government but by the private sector, private-sector civilians are likely to be the first responders in any future catastrophes. [page 317]
Sunday, September 26, 2004
House like a studio apartment in a S P A C E B O X - General information via reBlog. Would it apply to the US? Not easily.
Saturday, September 25, 2004
gravestmor ? do it yourself
Step One: Gather your entire village together in one spot.
Step Two: With your fellow villagers, go out and chop down some trees.
Step Three: Again with the villagers, lean the trees up against each other, forming a kind of tree tee-pee.
Step Four: Seal up all the gaps between the trees using other trees if necessary. This step is essential for later steps so make sure the tee-pee is water tight.
Step Five: Make a big timber box around the tree tee-pee. This will be used as form work for the next twenty four steps.
Step Six: Pour 50cm of concrete into the formwork and leave for a day.
Steps Seven to Twentynine: Each day pour another 50cm of concrete until you reach the top. If you have followed the instructions correctly you should have a big concrete box with lots of horizontal lines on it. Inside the box should be an intact tee-pee made from trees that you and your fellow villagers cut down with ancient farming tools.
Step Thirty: Go inside the tree tee-pee. Light the trees on fire.
Step Thirtyone: Run outside and let trees burn.
Step Thirtytwo: Once trees have burnt away go back inside and clear away the debris.
You should now have a big concrete box with a hole in the middle shaped like a tee-pee. If you don’t have something like this, go back through the steps to check where you got it wrong, otherwise post a comment below and one of our staff members will attempt to help you out.
Step Thirtythree: The final step is to pour floor liquid silver over the floor. This will make the floor nice and reflective.
Google Search: gutter size calc points to an imaginative PDF that looks at rainwater catchment systems in the San Juan Islands.
Thursday, August 12, 2004
Saturday, July 17, 2004
a-matter - architecture and related. The online medium for architecture. and visited page 5 courtesy of things.
Wednesday, June 02, 2004
Life ahead of the curve / The world is finally catching on to iconoclastic architect Dan Liebermann's way of building—in the interest of old newspaper removal. An excellent young architect the Toph worked with went to work for his eminence after the Mt. Vision fire and moved a project forward. The office approach was to be be assertive, let's say, with building officials, and the results are truly unique buildings with a basic umbrella-like structural system seen nowhere else. The article describes this and the characteristic canoe-shaped floorplan and building pad he uses for his hillside buildings:
Liebermann says the most efficient structure requires a circular floor plan. Rather than "cutting a big, nasty, square hole" in the ground and building a "nasty retaining wall with a cold space behind it that fills with dirt and leaves," he works with a hill's contours (most of his houses are on steep hillsides), making an elliptical cut, "a bite out of an apple."
Borrowing from his father's expertise as a dam engineer, Liebermann then creates a concave, curving retaining wall, like a bowl halved top to bottom. (Curved structures are stronger, he maintains, so they predominate in nature, as in craniums, eggs and seashells.)
His retaining wall doubles as the main interior wall of the house. Because such a wall could look forbidding, he usually softens it with a massive fireplace. Featuring a hollow large enough to roast a boar, and stacks of limestone stretching across the wall, the ensemble beckons aesthetically and emotionally. Liebermann explains that a fireplace provides "tremendous therapy" because it's a "primordial, womb-like cave, a place of warmth and security."
As for the rest of the house, he figures the best way to cover an ellipse is with an umbrella. He constructs a central column, perhaps a straightforward steel pole or a birch trunk salvaged from a forest fire. Sometimes he opts for a structure of woven steel beams, the straight pieces appearing to curve as in an Asian wicker stool. Planted deep in the ground like a tree and braced firmly at the floor slab, the central column acts structurally like the tower of a suspension bridge or the mast of a boat.
Liebermann says that during an earthquake the whole building moves together like a boat on waves: "You have a holistic, static relationship between all the parts in my buildings."
Tuesday, June 01, 2004
Wednesday, May 26, 2004
Monday, May 17, 2004
The New York Times > New York Region > After 100 Years, a New Rule Book for New York -- toward replacing the building code with model International Building Code
Sunday, May 16, 2004
A house divided / Architect's pre-fab plan to take the sting out of housing market, the Glidehouse arrives on a truck and costs $120 per square foot.
Saturday, May 15, 2004
Wednesday, April 28, 2004
An Architects view of the World:
I am a Licensed Architect with over 15 years experience. My Experience includes working in both large and small firms in Chicago, and San Francisco. With that comes experience working on small and large projects. In addition, I have built my own challenging projects from the ground up and I have spent time working in the trades.
I give each project utmost attention, and treat each one as a challenge.
I satisfy and delight my clients with creative and innovative solutions.
I have actually built from the construction documents I have created. I have taken the time in my career to work in the trades where I have experienced what it is like to build from Architectural Drawings.
I have a thorough knowledge of materials and construction coupled with a love and understanding of Design and Architecture.
Available for Residences, Residential Remodels and Additions, Multi-Family Residential, Light Commercial and Tenant Improvement.
Very Competitive Rates with a Very Satisfied Clientele and Reference List.
Call for free initial consultation and quote.
Available to work throughout the Bay Area.
Andy Morrall, Architect
415-282-0616
AndyMorrall at aol commercial domain
Friday, April 16, 2004
Presentation of Competation for the Architecture Design of National Stadium (2008 olympic Main Stadium) described as Really Weird Buildings by K10K news
Wednesday, April 14, 2004
Sunday, April 11, 2004
Turtle Bay | Sundial Bridge at Turtle Bay via Truc BAYA correspondence, "Calatrava's first freestanding bridge in the United States."
Sunday, April 04, 2004
Friday, April 02, 2004
The Star/Kansas City Millennium: The 1960s: "On Monday night, June 4, 1979, a violent thunderstorm, accompanied by strong winds and heavy rains, collapsed the roof of the 5-year-old Kemper Arena, where, just the Monday before, the disco group the Village People had played. Just two days before the collapse 13,500 people had packed the arena for a truck pull.
"
"
Wednesday, March 24, 2004
Design Observer: writings about design & culture: Michael McDonough: Top Ten Things They Never Taught Me in Design School
Saturday, March 13, 2004
Thursday, March 04, 2004
Tuesday, March 02, 2004
Ecotecture | Helical Geometry: A foundation for Nature-based Architecture--something to build for the little master?
v-2 Organisation | news | Junk architecture refers to a BAR fancy hotel similar to Common Ground Community and paraSITE inflatables very similar to an office the Ant Farm designed for the Toph around 1970, an inflatable room within a cold porch in back of a church being borrowed as a non-profit arts organization. It depended on reducing draft for climate control, and was a bit inconvenient to open--turn on fan--, walk around (because it filled the room), and get in and out of. The evolution of the inflatable as a heated room with walls inflating, rather than a single space inflating, and filled with whatever warm waste air comes from a building is impressive.
Tuesday, February 24, 2004
Sunday, February 22, 2004
Friday, February 20, 2004
Caterina.net has an article on philosophers and dwelling, namely Heidegger and Bachelard. The gist of her post is the modern house is a brutish machine providing scant comfort and TV invades it horribly. Read it.
Thursday, February 05, 2004
Wednesday, February 04, 2004
Untitled Document: "CTC - A leader in technology driven support services for the Architectural, Engineering, and Building industries"
Monday, February 02, 2004
J?rg Sasse - '(in-) visible' is a short essay on the photograph as a limited way to experience architecture.
Curious how a drawing matches a photograph: both take a two-dimensional static view. Even a virtual model seen only on the computer screen has this limitation.
Curious how a drawing matches a photograph: both take a two-dimensional static view. Even a virtual model seen only on the computer screen has this limitation.
Sunday, February 01, 2004
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